Archive for Stage Play

Buddha – A Fantastic Journey

// February 17th, 2012 // No Comments » // Stage Play

Evan Brenner as the Buddha Photo credit: Phoebe Sudrow

by Marla Lewin

West Coast premiere at the Bootleg Theater

We spoke with John C. Reilly and Evan Brenner after the premiere last night of Buddha – A Fantastic Journey.

It is indeed an enlightening play, as the life of the Buddha is explored from his own words,. Siddharttha Gautam was born an Indian prince around 500 BC. He father controlled an empire in Northern India and fully expected that his son would take over from him. He was raised in extreme luxury in the king’s pleasure gardens shielded from the outside world. From an early age he was educated by the finest teachers and monks. It was determined that he could choose from two paths, the one of Prince and ruler of the world, or that of a Self realized monk and leader of a new religion.  Siddharttha  marries and then has a child at the age of sixteen. One day he leaves the palace with his retinue to visit another palace and happens to see a sick person for the first time.  He realizes that there is suffering in the world. Days later when he sees a man killed and he discovers that there is death. These events have a profound effect on him. He determines that he must discover the truth about God and the human condition.

Through years of exploration, he ultimately finds the four noble truths, particularly that life is full of suffering until one lets go of attachments, and self cravings.  He realizes his own nirvana, oneness with the light, and that it is in the oral teachings that he leaves that all can become buddhas.  The play details the personal struggle, supreme enlightenment and horrific tragedy Siddharttha experienced during his life. After his death his words and teachings spread across the world and were embraced by hundreds of millions of people.

John said he was influenced by Paul Sills and his mother Viola Spolin from Second City in Chicago who originated the basis of improvisational theatre where he studied acting.

Brenner assembled the life of the Buddha from the original texts as a one-man play. “It’s no dry tale: the Buddha’s life stands among the great archetypal adventure stories,” said Evan.

Their techniques incorporate music into the theatrical experience.  John said, “You have to give them some razzle dazzle.” John created the staging which truly allowed the audience the feeling of becoming enlightened along with the one man performer Evan.  The simplicity of the cloth backdrop provided the serene atmosphere required but allowed for changes in mood to be defined. A two piece musical group provided the perfect accompaniment.

Evan clearly acknowledged John for his direction and that his idea of saying that Buddha was a man after all, was significant to translating his character on stage.

Evan said he was influenced to bring the character to stage after seeing a performance of “The Gospel of Mark,” also in Chicago.  We all agreed there is something about bringing these great characters to life, it is inspiring to experience.  After all, Aristotle believed the theatre can elevate the spirit, we highly recommend this show.

Brenner workshopped the play for two years before premiering it at Boston Center for the Arts in 2009 to rave reviews from the Boston Globe, Boston Herald and Boston Metro.  Brenner has toured with Buddha to performing arts venues around North America including New York, Pittsburgh and Denver. Now he will be presenting it here in Los Angeles on weekends February 3 through February 25 (dark Feb. 24).

Highly recommended.
Performances: Feb. 3-25
Fridays @ 7:30 pm: Feb. 3, 10, 17 (dark Feb. 24)
Saturdays @ 7:30  pm: Feb. 4, 11, 18, 25

BOOTLEG THEATER
2220 Beverly Blvd
Los Angeles, CA 90057

Purchase Tickets: 800-838-3006 or www.thebuddhaplay.com
Admission: $30

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Orson Welles’ Moby Dick – Rehearsed at Lyric Theatre

// August 10th, 2011 // Comments Off // Stage Play

Kate McManus, Andrew Patton, Dustin Seavey, Richard Cox, Steve Madar, Michael Welch; Center: James Whitmore Jr.; Bottom: Andre Verderame (l.), Rob Fabiani. Photo by Robert Fabiani

 

by Marla Lewin

The Whitmore Eclectic Theatre specializes in heartfelt often experimental theatre. Their current play is by Moby Dick Rehearsed by Orson Welles and imagines the story of Moby Dick presented in its own contemporary time. Herman Melville wrote the book in 1851 and Welles decided to imagine how people of that time reacted to it. Set in 1860 this was America just prior to the Civil War. A time of great debates and transition from an agrarian society to industrialization. Lamps still burned whale oil. Southerners still owned slaves and Northern merchant seaman hunted whales and transported goods around the world on sailing ships with voyages that lasted for years at a time.

Welles tale unfolds in a small mid-Atlantic theatre company where the cast is preparing to perform King Lear when the director known as the Governor informs them they will now rehearse Moby Dick. This provides us with the opportunity to not only observe the great whaling story, but witness how a play might have been preformed by a resourceful company without modern  special effects. This predates projection, modern lighting and elaborate high tech sets. The play is pared down to its essence and must depend on the brilliance of its words and the performances of its actors. Being a great epic Moby Dick has many characters that are required to tell the story, so actors must perform several parts as well as playing the actors in the play. Often this can be a problem, but this cast is up to the task and the audience doesn’t become lost. (more…)

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THEATRE 40 OPENS 46TH SEASON WITH AGATHA CHRISTIE MYSTERY “SPIDER’S WEB”

// August 9th, 2011 // Comments Off // Stage Play

Photo by Ed Krieger

by Marla Lewin

What better way to kick off a new season of theatre than with an original Agatha Christie mystery?

SPIDER’S WEB is a English drawing room mystery. All of the suspects are present from the beginning. The fun is solving the case along with the detective simply using observation and deduction. There is no need for complex forensics or gruesome autopsy here. The stage is set, we meet the entire cast composed of the second wife of a senior diplomat, her uncle Rolly, her step-daughter, several house guests, the household staff and the second husband of the young girl’s mother. After we get to know the characters and the unique qualities of the old house, a murder is revealed. Clarissa, the wife of a Foreign Office diplomat, discovers a body in the drawing room of her country home. Her husband is scheduled to arrive at any moment with an important VIP in tow for a secret meeting. Clarissa has to create an intricate web of alibis and invention to protect her husband and perhaps the very fate of the nation. When her lies lead to new surprises the audience is left to untangle the puzzle. The play treats its mystery with humor and grace. This makes it a very entertaining evening. (more…)

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Just Imagine Brings John Lennon Back

// July 7th, 2011 // Comments Off // Stage Play

by Marla Lewin

I reviewed Just Imagine back in December of 2009, the show has been extended in Los Angeles, through August 28th at the Haywood Theatre. Don’t miss it if you love the man and his music.

The star of Just Imagine is Tim Piper, who has also played the John Lennon role in the CBS Production, “The Linda McCartney Sotry, ‘E! Channels’s; ‘John Lennon Story,’ ‘Beatles Wives,’ and most recently as the singing voice of John Lennon for the NBC Movie of the Week, “In His Life-The John Lennon Story”.  Tim Piper performs with his band, Working Class Hero, which includes Pipers’ brother Greg, also the musical director (electric bass); Don Butler, (lead guitar); Morley Bartnoff (keyboardist); and Don Poncher (drums).

Tim shares John’s life story, interspersed with video clips and song performances. He envelops the audience into the belief that he is John, and you are hearing his inner most thoughts and feelings about his life and loves.  It is a transformational and healing experience to look into his eyes,  hear his Voice, and listen to so many of his wonderful songs.

(more…)

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Re-Animator: The Musical is like a Blue Man Group Experience but with Blood

// July 2nd, 2011 // Comments Off // Stage Play

Re-Animator- The Musical," Jesse Merlin (l.), George Wendt. Photo: Thomas Hargis

by Marla Lewin

Stuart Gordon returned to the Steve Allen theatre with his new musical version of his own cult horror film “Re-Animator”. Complete with disposable plastic raincoats for those in the first few roses. The audience was amply warned of what was to follow when they found that the seats for at least the first three rows were already wrapped carefully in plastic. You had to make a simple choice spectator or participant. As the audience had a contingent of people sporting t-shirts honoring splatter movies you could easily tell not only what their choice would be, but where they wanted to sit. The closer to the action the better. The show has been extended again so their is still time to see it.

For those not versed in this genre the notes and this video will bring you up to speed:

(more…)

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