Posts Tagged ‘Ray Bradbury’

Ray Bradbury’s Wisdom 2116

// January 24th, 2010 // Comments Off // Industry Event

by Marc Halperin

We went to see the new play written and produced by Ray Bradbury it has been many years since the play was first conceived for his friends Charles Laughton and Elsa Lanchester. We were very lucky and Ray was at the theatre to introduce the play. (video attached after the jump below)

Times have changed, but people are still the same. We all grow up, the lucky ones fall in love and get old. It is a simple story and the reason Ray calls it Wisdom 2116 is to denote that. Ray’s latest play is about an elderly couple that is still in love after 40 years of marriage. Each wants to ensure that the other is cared for after they pass on so they each purchase a robot of themselves at an earlier age to be a companion for the other. Of course neither knows that the other is doing this. Their gifts don’t end up having the anticipated effect but they both gain a new understanding of love and life as a result. (more…)

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Ray Bradbury’s 2116, World Premiere January 16, 2010

// January 15th, 2010 // Comments Off // Stage Play

by Marla Lewin

Saturday January 16, 2010 marks the official premiere performance of Ray Bradbury’s new one act  musical 2116, in which a husband and wife married nearly 40 years arrange without each other’s knowledge, to purchase android replicas of their younger selves to give to their spouses as presents. Unintended consequences ensue, when the man and woman each gain a little more knowledge about themselves and about the way life works in this comedic tale.

2116 is based on the Bradbury story Marionettes, Inc. from The Illustrated Man, which borrows from the O. Henry story The Gift of the Magi. The recent film Surrogates with Bruce Willis deals with a similar subject.

Although 2116 previewed in the fall of 2009 under the title Ray Bradbury’s Merry Christmas 2116. The piece was originally written more than 50 years ago for Charles Laughton and Elsa Lanchaster. It was intended to be directed by James Whale of Frankenstein fame. Due to a series of tragic events including Whale’s suicide it was never produced until now. The January engagement marks its official World Premiere, along with its shorter title, 2116. (more…)

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Writing for the Genre World a WGA panel

// November 20th, 2009 // Comments Off // Industry Event

by Marc Halperin

Stephen Susco, Mick Garris, Larry Cohen, Juliet Snowden and Stiles White                               photo by Marc Halperin

Stephen Susco, Mick Garris, Larry Cohen, Juliet Snowden and Stiles White photo by Marc Halperin

Writing for the Genre World a WGA panel moderated by Mick Garris( creator/producer: Masters of Horror; writer/director/producer of Riding the Bullet, Fear Itself and many others. Larry Cohen writer; Phone Booth, I, the Jury and writer or director of numerous other genre favorites. Juliet Snowden and Stiles White co-writers of Boogeyman and Knowing. Stephen Susco writer: The Grudge 1 and The Grudge 2 and Red.

Mick Garris began the panel at the AFM by stating that lately genre equates to horror. His first question to the panel was “Is genre something you chose or something that chose you? “

Larry Cohen: I created Branded in The Invaders television shows. I like to make horror films and thrillers. I write on spec. I’m ignorant of what happens in the world now. I read the trades but it just ruins your day everyone else has a job. Even when I had a studio job everyone complained. I direct a lot of my stuff too.

Juliet Snowden: We just want to tell great stories. We try to have an interesting dramatic element and layer in a supernatural element on top of that.

Stiles White: I handle the blood and guts. When we started in the business a genre element was just a log line, but it grabbed more attention than the dramatic long line. Growing up, we were both fans of  70s and 80s horror films. I was working in special-effects for Stan Winston Studios. That meant because of my day job, I knew what the budget effect would have been for an element that I wrote into the script.

Stephen Susco: It just sort of happened, I read stories as a kid, starting with Ray Bradbury.  (Mick Garris agrees with him) and I found Stephen King books when I was 11 years old and I read all of those, but my folks wouldn’t let me read The Shining. I found it under their mattress when they went away on vacation obviously it destroyed my life.

Mick: But it gave you a career. (more…)

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Ray Bradbury’s “The Wonderful Ice Cream Suit” at the Fremont Centre Theatre

// October 6th, 2009 // Comments Off // Stage Play

Ice-Cream-Suit-web

photo by Ed Krieger

by Marla Lewin

Originally conceived by Ray Bradbury as a short story published in 1957 in the Saturday Evening Post as “The Magic White Suit.”  It is a fable based on characters and situations that Bradbury experienced as a child when he and his family lived in East LA among its largely latino population.The Bradbury family had left the midwest and moved to Los Angeles so that his father could seek work. Ray turned it into a short play and The Wonderful Ice Cream Suit was published with two of his other plays in 1972. It was produced by the Organic Theatre in Chicago that year by Stuart Gordon, who went on to gain fame as a horror movie genre director with Re-Animator. Stuart returned to the story in 1998 and directed the film version starring Edward James Olmos, Joe Mantegna, Esai Morales, Gregory Sierra, Howard Morris and Sid Caesar. The Wonderful Ice Cream Suit was screened at the Sundance Film Festival.

It’s a story of friendship, romance and dreams. Villanazul the poet of the group speaks for Bradbury, ”You are the dream, other people dream, in Silence, a man can think and dream.” Ray’s basic story was later borrowed for the book and movie ”The Sisterhood of the Traveling Pants.” Here as in that story the power of the magical white suit is the confidence it brings the wearer. Gomez the ring leader of the group sums it up, ”You feel like a million bucks, and anything is possible.  The suit is white.  The luscious color of vanilla ice cream, so pure in color that it radiates it’s own glow.” It is a story of possibilities and the ability of people to change their standing in the world.

A musical version was presented at the Pasadena Playhouse in 1989.  This new production marks a rare opportunity for audiences to see the original play.  It is now enjoying an extended run at the theatre following a month long run earlier in the year. Alan Neal Hubbs, resident director of Ray Bradbury’s Pandemonium Theatre Company, helms a cast including Adrain Elizondo, Joaquin Garay III, Daniel V. Graulau, Joan Jack, Robert Kerr, Joy Nash, Paul Renteria, Eddie Ruez, Rudy Rodriquez, Andy Sell, and Philip Sokoloff.

Ray Bradbury recently was honored by the Pulitzer Prize committee with a lifetime achievement certificate for his contribution to American letters. He also received a medal and Rank of Commander of Arts and Letters from the French government.  Ray recently celebrated his birthday party with a surprise visit by long time friend Bo Dereck.  In March, at the LA Book fair, he signed autographs for fans for three hours.  The Pandemonium Theatre Company plans to premiere his next original work a musical, and preparations are now in process. Remember there is always the chance of meeting Ray at the theatre and he is partial to the Saturday night performances.

Fremont Centre Theatre

1000 Fremont Avenue
South Pasadena, CA 91030
(626) 441-5977
(626) 441-5976 fax

e-mail: fct@fremontcentretheatre.com

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Ray Bradbury at 40th San Diego Comic-Con by Marla Lewin

// July 27th, 2009 // Comments Off // Industry Event

Johnny Depp, Megan Fox, Tim Burton, Robert Downey Jr, Jeff Bridges, Tron, Superheros, and  Science Fiction are everywhere in downtown San Diego for 5 days. And then there is the man who epitomizes science fiction, Ray Bradbury. Ray wrote about Mars as well as The Illustrated Man little knowing that a future generation would become enamored with decorating themselves with tatoos to an unprecedented level. Ray attended the very first Comic-Con 40 years ago, and this year he wrote a forward to the program book, 40 years of Comic-Con.

Ray Bradbury at the Fremont theatre

Although in his 80′s Ray Bradbury  spoke again this year, as he has each year at the Santa Barbara Writers Conference, and at libraries and other venues where he can persuade young people to embrace reading.  He has spoken to the Palm Springs Womens Press, were he spoke to young students who were studing his book Farenheit 451. Ray’s message is always the same we should  treasure books. Ray once told us how he loved dinosaurs and exploration but didn’t fly until the age of 62 but then began to fly regularly. John Huston had hired him to write the script for his movie Moby Dick in 1953, after reading one of his short stories. Ray has published more than 600 short stories in 60 years. Ray will be 89 on August 22 of this year. I was fortunate to have attended his 80th birthday celebration which included performances of some of his plays and tributes from friends and performers he has known over the years.

Ray Bradbury really is a renassiance man, a forward thinker.  He writes short stories, and poetry; as well as  books and plays that get made in to movies.  He has planned shopping centers for cities including the Glendale Galleria.  He wrote The Martian Chronicles, and we all expected to have a man there by now.  He has writen about book burnings,(Farenheit 451) as we move into an internet age, he continues to write and speak and inspire us all. His latest book is, We’ll Always Have Paris.  In 2001 he received  the National Book Award for his contribution to American literature, and in 2004, he was awarded the National Medal for the Arts.  In 2007, he was made a COMMANDER OF THE ORDER OF ARTS AND LETTERS (Frances highest literary honor) and was was awarded a Pulitzer Prize Citation for his carreer.

Ray still makes his home here in Los Angeles. In recent years, Ray has been attending  performances of his plays, lately at the Frement theatre in Pasadena. His plays really should be staged around the world. There are three one acts, entitled RAY BRADBURY’S YESTERMORROWS,  playing at this time through September 5th, directed by Alan Neal Hubbs.

A Device Out of Time features David Fox-Brenton and brothers Seth and Daniel Casanova. This story is about how each of us is a time machine that allows others to glimpse the past through our experiences however fleeting.  The Cistern features  Georgan George, and Rose Prichard.  It is a story of love lost and rediscovered through reflection on a quiet afternoon. The Meadow is set in a decaying movie studio, which is haunted by old props and characters, sets of grand cities, and a caretaker not wanting to see the land sold for a real estate development.  Michael Prichard plays the caretaker and old friend to the studio mogul played by Steven Robert Wollenberg, it also features Andy Sell, and Robert Kerr. This was probably based on Ray’s own experiences as he watched movie studios close to his home converted into Century City and housing tracks from the imagination factories that he often worked at or passed on his daily activities.

Ray is a national treasure and we will be eternally grateful to his gift of imagination. So if you have a desire to walk among the stars on Mars or wander the African Veldt or visit the 600 other locations that Ray has chronicled pick up one of his books, watch one of his movies or television shows or attend a live performance and you might be fortunate enough to meet the master himself.

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